I paint landscapes, seascapes and still life in a variety of media, depending on subject matter or whether I am working en plain air or in my studio. In the past I have worked mainly in watercolours or oils, however in recent paintings I have experimented with acrylics on canvas and wooden panels. Although I live in a rural Aberdeenshire I find myself constantly drawn to the coastal villages of N-East Aberdeenshire. My creative process begins by walking around with my sketch book and sitting for a while to really look and absorb the atmosphere of a place, while studying the colours, textures, forms and deciding how to compose a piece of work to bring attention to a detail that has caught my eye or to convey the atmosphere of a fleeting moment in time. Many of the coastal villages of my childhood which hadn't changed much in hundreds of years are now ghost towns off season. These once busy communities which were supported by local industry and where everyone knew everyone are now predominantly second homes or holiday destinations . Visiting off season, one is often alone to explore or paint without interruption, however this also emphasises the vulnerability of being alone in an empty place but also the fragility of these beautiful villages. Not only vulnerable by the loss of permanent residents but to climate change, rising sea levels and recent increasingly ferocious storms. I believe my strengths come from a lifetime of observing and drawing and painting
Born and raised in Aberdeenshire, Joyce Taylor studied drawing and painting at Gray's School of Art in Aberdeen where she was one of three students in her year who were awarded the Patrick Allan Fraser Hospitalfield Scholarship. It was during that summer she was drawn to the villages and harbours of the Angus coast. Coastal villages, boats and seascapes are still an inspiration for her work, especially her local villages of Pennan, Crovie and Gardenstown.
When driving conditions are poor, preventing her from getting to the coast, Joyce works in her rural studio on still life painting or works from sketches previously completed outdoors.
After several years teaching art and design in secondary schools, where she was a Faculty Head of Art Design and Technology, Joyce decided to take early retirement so she could concentrate on her own creativity, and she has recently returned to painting full time.
Joyce has had the privilege of exhibiting her work in solo exhibitions in the UK, France and Canada.
Her paintings can be found in corporate collections in Scotland and France and in private collections in UK, France, Qatar, Jamaica, Germany, Norway and Canada.
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