I have a multidisciplinary practice because I enjoy exploring a subject through a range of different media. I draw, photograph and make prints and artist’s books, as well as leading slow and sensory walks. I often use film and sound recordings to document. Research is key and I work in a spirit of phenomenological enquiry. I like to be physically involved in my work, whether that be walking with a group or making a hand-held miniature book of prints.
Receiving a VACMA award in 2022 has enabled me to develop new work in screen printing. I enjoy the process, from the initial mark making in a drawing to pulling the print on the press. There is a sense of rhythm and ritual and its slownessis very much in keeping with the mindful aesthetic of my walking work.
Living and working in East Lothian, I am influenced by the natural environment around me. I am constantly amazed by our human tininess in the face of Time and Nature. I take inspiration from environmental pioneer John Muir, whose sense of the spiritual in the natural works resonates strongly. I am particularly interested in North Berwick Law, my huge neighbour and a volcanic plug, formed from the magma stuck in the neck of a volcano. While the volcano has long since eroded away, the resilient plug remains. In this worrying time of climate change, it speaks to me of the enduring power of Earth and represents contained - some might call it petrified - energy.
Since graduating in Intermedia from Edinburgh College of Art in 2011 with first class honours, Karen has worked on projects with arts organisations including North Light Arts, Creative Carbon Scotland, the John Muir Festival and Environmental Arts Festival Scotland. Her film works have been shown in North Light’s Solar Cinema, the John Gray Centre and the Royal Standard in Liverpool. Her artist’s books have been exhibited at the Wigtown Book Festival, the Town House Museum, Fringe by the Sea, the Upright Gallery in Edinburgh and with Visual Arts Scotland. She is the recipient of several awards.
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